Sunday, October 26, 2025

Six Questions interview #231 : Laura Hebert

Laura Hebert began writing poetry to get the inside out and process the world around her. Her writing, poetic and otherwise, has appeared in Bywords, flo., Women's Anthology: Carrying Fire (TL;DR Press), and CBC First Person. She received an honourable mention for the 2025 John Newlove Poetry Award and has been twice short-listed for the People's Choice Award in CV2's Two-Day Poem Contest. Originally from Manitoba, she now lives on a small farm near Ottawa with her partner, their dog, two cats, and a spoiled flock of chickens

Q: How long have you been in the Ottawa area, and what first brought you here?
Perhaps a clichĂ© reason: I moved to Ottawa for a job with the federal public service in 2017. In 2021, I moved outside the city to a little farm near Vankleek Hill with my partner Noel. I still spend a fair bit of time in Ottawa for work and for fun – like poetry events!

Q: How did you first get involved in writing, and subsequently, the writing community here?
I've inconsistently written or wanted to write my whole life – unfinished short stories, scraps of fantastical world-building, and all sorts of attempts at poetry. After I moved to Ottawa, I submitted a few poems to Bywords, and eventually one got accepted. At the same time, through a friend I contributed to an anthology of poetry. These little successes encouraged me to keep writing and to keep putting my poetry out there, a little bit at a time.

I also volunteered at VerseFest and attended the Writers’ Festival. Events like these exposed me to the writing community here in Ottawa.

Q: How did being in such a community of writers shift your thinking about writing, if at all?
I am, at heart, a self-conscious observer and a tentative introvert. Writing has been a personal undertaking for the most part. Writing as a community activity for me started with an occasional writing group made up of me and three of my close friends, encouraging each other, responding to prompts, and just trying things out. 

Here in Ottawa, writing as community happened through festivals and attending readings, and reading myself a few times. The first time I read my work aloud to people was through a flo. launch. That, I think, signalled a shift for me, to thinking about writing not just as the act of creating and expressing, but taking the further step into sharing (in person!) and being truly vulnerable. That is in part what my poetry is for: I am sharing bits of myself and hoping it resonates with someone in some way. I’ve also joined a creative writing group in my town to continue building community into my writing practice.

I’m somewhat on the periphery, popping in here and there, but even so, the community here is very open and welcoming. For me, Ottawa is the community in which I am becoming a writer, a poet, and I’m very grateful for that.

Q: What do you see happening here that you don’t see anywhere else? What does Ottawa provide, or allow?
Like my hometown Winnipeg, Ottawa is a small big city. That’s part of why I feel at home here. And I think what that means for writers and other creators is that it feels warm and accessible. It isn’t as daunting or perhaps disconnected as I imagine it might be in our country’s bigger cities. But at the same time, Ottawa is big enough that there is variety, and there is always more to discover and contribute to.

Q: Have any of your projects responded directly to your engagements here? How have the city and its community, its environment, if at all, changed the way you approached your work?
Yes, in the sense that my environment inspires and feeds into my writing. When I lived in the city, I walked everywhere I could, and during those times I was also thinking and observing, feeling and avoiding my emotions. So, the canal and trees and squirrels and cracks in the sidewalk certainly made it into some of my poems. This is often how I start a poem: what am I seeing and immersed in, what is around me – particularly nature – and how does that relate to the story and the emotions I want to communicate.

Q: What are you working on now?
Quite honestly, just finding the time and energy and persistence to write. But I always have a few ideas vaguely formed and percolating. Right now, poems around existential guilt and hope and, always, birds.

Sunday, October 12, 2025

Six Questions interview #230 : Bohdana Sereda

Bohdana Sereda is a writer residing in Ottawa. Born and raised in Ukraine, she started her creative journey in middle school. Bohdana aims to share stories inspired by her life experiences and topics of personal growth. Currently, she is working on two poetry collections, one of which is dedicated to Ukraine. 

Q: How long have you been in Ottawa, and what first brought you here?

I have lived in Ottawa since October 2020, when I moved to Canada for my master’s degree. The decision to permanently cross the ocean was taken in September 2019 after three months spent in Ottawa on a research internship. Before the internship, I had barely heard about Ottawa, but now I can call it my Canadian home!

Q: How did you first get involved in writing, and subsequently, the writing community here?

My earliest memory of writing is a snapshot of a four-line poem I dedicated to my first year of school. I have enjoyed reading and writing for as long as I can remember, even though one of my third-grade teachers told me that I’m better at math than writing. Luckily, it didn’t stop me from exploring poetry, short fiction, and fanfiction in my teenage years – as it turns out, I was much better able to deal with emotions by writing them down and finding intricate words to describe them, rather than through solving equations!

Q: How did being in such a community of writers shift your thinking about writing, if at all?

Throughout my time in Ottawa, I had several updates in my thinking regarding what writing can achieve. But it is also worth noting that I haven’t been writing consistently for almost six years before restarting my writing journey in 2023, here, in Ottawa. And this new beginning is partially thanks to the all-welcoming and diverse local community. My interest in sharing my work with literary journals was sparked by a flo. lit mag, a copy of which I saw at the Art House CafĂ©.

Q: What do you see happening here that you don’t see anywhere else? What does Ottawa provide, or allow?

Due to Ottawa’s governmental influence, many authors are deeply involved in their communities and draw inspiration for their writing and art from social issues. I don’t know if there are any statistics to support or contradict my observation, and I haven’t lived in any other Canadian city. Still, I find it incredible when people care about their social and political lives and actively express those concerns through art! 

Q: Have any of your projects responded directly to your engagements here? How have the city and its community, if at all, changed the way you approached your work?

I’ve recently started a bi-annual zine about everything, STEPPE, and many ideas for topics come to me when I walk through the streets of Ottawa. This also helps me include Ottawa in the zine. I would love for Ottawa to become even more artsy, and I would love for myself to be a drop in the ocean of its art scene! 

Q: What are you working on now?

Too many things at once, to be honest! Most of my current draft writing focuses on Ukraine as I aim to share Ukrainian culture and experiences with my readers. Then, there is STEPPE. Then, there are little projects, like starting a Ukrainian book club. I’ve also just finished a series of writing workshops with Westboro Books. I think I need more hours in the day…