How to Scour Ghost Wounds Using Only Water
i. establish
associative architecture
translucent
freckle
sluice noise
constant
a cracked
leather couch
a conch salad
a wake away
sucking rock
waking up
trying to twist
bracing
cloudfall
white triangles
flowing roots
a reminder to
driftwood,
memory
overhead a
bucket
engorged and
rippling
the ghost
attacks
birds reappear
fishing for
beetles
black dinghy
shuffle
tidy
fullness
a dog’s jowls
flap
along the shore
truly dove-like
ii. locate a
horizon line
all animal life
disappears the ground is still the only sound the mechanic crash of the lake
groaning in the wake of party boats an excommunicated sun grinds out a flagrant
auto-eulogy— The wet ghost of this poem renowned for his stranglehold, for
blotting sunsets
iii. drink while
urinating to feel wide open
the ghost’s
mouth and incandescent gush all I can think of at 5 a.m. unregulated by
circadian flow my breath strong underwater and unbroken in a body longing to be
held for a minute or two before swelling into unknown territory like forever
turn away sleep collective forehead chatters
iv. cross a
large body to erase a curse
beyond the
jumbo jet window an ocean erases the intentions our enemies harbour for us— In
that pristine cabin we are light as curses lift like dirt from a Coca Cola
coin, clean and acidic, clean and gorgeous, clean and shackled to the corridors
of the ghost’s conditions
v. watch
full-immersion music videos
in a
prayer-like echo of cloth and hair bubbles issue from naked pores like
unclasped balloons, tracing retroactive inquiries around the ghost’s ambiguous
limits
vi. learn to
say anemone
before the
ghost smashes through French doors with muscular shoulders before homemade lemonade
pools sway on the floor (lashes liquefy their stunned object on tile) let me go
back and say to the ghost go grey and foolish go sing to no one somewhere
outside of me under a tin roof raining
vii. show
gratitude to houseplants
I fill myself
with jars and jugs wash out lipstick stains buy dish soap ignore ghosts and
tend to corners of the apartment with thin streams of care for living things
saying thank you, I will take care of you, look at how green you are
Margo LaPierre (www.margolapierreeditor.com) is a queer, neurodivergent
Canadian poet and editor. Her debut collection of poetry, Washing Off the Raccoon Eyes, was
published by Guernica Editions in 2017. She is a poetry selector for Bywords.ca, board member of Arc
Poetry Magazine, and Membership Chair of the Editors Canada Ottawa-Gatineau
branch. Her work has been published in filling Station, CAROUSEL, Train
Journal, and others. She/her.

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