Sunday, April 03, 2016

National Poetry Month 2016: George Elliott Clarke,



Thomas Chandler Haliburton Regards Liverpool, 1855


Mr. John William Graham—
manager of Tate & Lyle Sugar Company—
Oxford-schooled, a classicist,

thrills to see the humongous ships,
brimming with snowy sweetness,
steam to refining, distilling,

while black soot clogs nostrils,
tangles into hair,
causes lungs to belch black phlegm….

Such is the toil of Pleasure,
to ratchet up profits
as implacable as the Crucifixion:

The steamer exhaust hurts lungs,
blackens clothes, faces,
so pallid children look suddenly,

“wonderfully” (they imagine) vile
and dirty, like heroic waifs,
or cantankerously ugly

as printers’ devils,
their fingerprints bluntly black
(no ornaments of other tints),

and whose violently scrawny frames
will likely crumble under bobby batons
in just a decade

or half decade—
in this brickyard dump of Empire.
Anyway, unfortunately too,

the sugar mill specializes
in multiplication of ogres—
spectacular amputees—

stumping for coins before churches,
weeping baroquely,
but only themselves to blame,

for such bumbled job performance
as to mishandle or tumble
into fine-tooled, well-oiled machinery,

and become fodder for the pen
of Mr. Dickens, who takes blood for ink,
so as to soil Capital reputations….

But Mr. Graham wishes to be Sir Graham,
if he achieves greater heights
of sugar manufacture,

pouring mountains into ships’ bellies,
thus bloating the ledgers’ pounds,
even as he distracts himself

from the cries of self-mangled minions
via pursuing fanatically skeletal,
sugar-pale tarts,

so gleefully anemic—
subsisting on whores’ wages
(absinthe equals drink and opium meat).

However, outlawing Negro Slavery
mandates using nurseries,
Kindergartens, as labour

fulfilment centres,
to top quotas required
at mills, factories, brothels,

disgusting, but enriching;
thus, the innocent dormitory
now upstages stink,

and model Youth
pale Adonis, fair Venus—
ebb to melancholic, graceless Ruin.

These beings mature, cancer-rife,
or fall prey to geniuses of Vice
passionate as leeches—

who love nothing less
than to eviscerate every anus
with a syphilitic organ.

Mr. Graham thinks himself no bad boss,
to excuse workers’ sickliness as “noble,”
or to see juveniles broken

down to oozing bones,
suing Salvation in alcohol
or starry-eyed Astrology,

their inebriated jaws drooling on bottles,
or urine-tasty male organs,
obstinately pale,

like sugar at sight, but sour in scent;
or the kids get sold—
a seven-year-old

to a seventy-year-old,
whose joy is to finger a virginity
until she screeches, bleeding.

Such is the sovereign Tyranny
of factorists like Mr. Graham,
that Vice is enabled

to enact intolerable freaks
upon urchins,
to so injure “white niggers,”

their young brains and fledgling genitals
turn diseased and degenerate.
The replacement of black slaves

by white girls and boys
means capitalists gorge now
on unskilled muscle,

on illiterate cradles,
and once they’ve exacted all Wealth
and Productivity,

discard these de facto Morlocks—
to starve or steal,
be harlots

or hang by hangmen.
Thus, Englishry turn Negrory,
insensate souls,

no better than rats,
who must nurse on liquor
and fatten on sugar.

This antisocialism attitude
explains Mr. Graham’s mimicry
of swine—

his round-gut, piggish aspect,
puffing Greek and grunting Latin,
as he manhandles a wench,

fucking dirtily a thinness
fed by clouds.
He decants fishy smells,

executes a fever of movement
in a pretty rut,
soon flooded with a sugary meringue.


[Liverpool (England) 12 octobre mmxiv]



A revered poet, George Elliott Clarke hails from Africadia, and has issued 14 verse-works (collections and narratives), 4 verse-plays, 3 opera libretti, 2 novels, and 2 essay collections. His newest book is Extra Illicit Sonnets, featuring amatory and erotic poetry. Forthcoming is Canticles (I), the first part of an epic poem, due out in Fall 2016. The projected trilogy will be completed in 2021.

Saturday, April 02, 2016

Chris Turnbull interview at the ottawa poetry newsletter

Ian Whistle has interviewed Chaudiere author Chris Turnbull over at the ottawa poetry newsletter blog. You can see the interview here. Amanda Earl was also featured in the same interview series a while back. And of course, copies of Turnbull's continua (2015) can be ordered directly, here.

Friday, April 01, 2016

National Poetry Month 2016: Amanda Earl,



easy

to forget about

the circle except when it chokes

like rope we can’t breathe is rigid but

invisible narrows & widens to make us

believe it is flexible but the circle is not  flex

ible once upon a time there was a certain vulner

ability to the circle it could be broken but no longer

it is closed coils like a snake poised to sting its  hiss

whispers inside our heads until we can’t bear it

our  minds are filled with its continuous fricat

ive sibilance it is the white noise we hear wh

en cars cross highways the static beneath

every song the hum of electric current

that runs through the air in the back

ground red arcs of light the daily

shocks that we have become

immune to




Amanda Earl is a Canadian poet, publisher and pornographer who lives in Ottawa, Ontario. Her most recent published works are A World of Yes (DevilHouse, 2015), Coming Together Presents Amanda Earl (Coming Together, 2014), Kiki (Chaudiere Books, 2014), A Book of Saints (above/ground press, 2015). For more information, please visit AmandaEarl.com or connect with Amanda on Twitter @KikiFolle.

Tuesday, March 29, 2016

Michael Dennis reviews Jennifer Londry's Tatterdemalion (2015)

Michael Dennis was kind enough to provide the first review of Jennifer Londry's Tatterdemalion (2015) over at his blog. Thanks much! You can see his original post here, and, of course, copies of Tatterdemalion can be ordered directly, here.

Sunday, March 27, 2016

rob mclennan + Gary Geddes at RailRoad, April 3, 2016 (Ottawa;

rob mclennan and Gary Geddes feature at The RailRoad Reading Series

plus the regular open mic
http://railroad-ottawa.ca/

Sunday, April 3, 2016
3pm /
Pressed Cafe ; 750 Gladstone Avenue, Ottawa

for further details: RailRoad.Ottawa@live.ca

facebook invitation: https://www.facebook.com/events/1261514313862749/

Saturday, March 19, 2016

VERSeFest Hall of Honour Inductees Announced: rob mclennan and Andrée Lacelle

Chaudiere Books co-publisher, editor and author rob mclennan has been announced as one of this year's two 2016 VERSe Ottawa Hall of Honour inductees! He will be reading this coming Sunday at VERSeFest as part of the event.

mclennan is the third Chaudiere Books author inducted, after William Hawkins (2013) and Amanda Earl (2014).

His most recent Chaudiere Books title is The Uncertainty Principle: stories, (2014). He will be releasing a limited-edition poetry chapbook, King Kong, for Sunday's ceremony and reading.

As the press release reads:
Ottawa, ON – Mar. 18, 2016 – VERSeFest, Ottawa’s International Poetry Festival, is pleased to announce this year’s inductees to the Hall of Honour, rob mclennan and Andrée Lacelle, for outstanding service to the Ottawa-Gatineau poetry community.

mclennan and Lacelle will be inducted into the Hall of Honour 7:00 P.M., Sunday, March 20th. The ceremony will also include readings by Parliamentary Poet Laureate George Elliott Clarke and Governor General Award winner Robyn Sarah.

For three decades, rob mclennan has been at the forefront of promoting poetry in the city of Ottawa. His literary productivity has been outstanding, with over two dozen trade books of poetry, fiction, and non-fiction. He has demonstrated tireless community leadership in his activities as the founder of the Ottawa small press book fair, the organizer of the factory reading series, and the editor and founder of Chaudiere Books, ottawater, The Peter F. Yacht Club, and above/ground press. All of these activities, alongside the generosity of his mentorship and his editorial flair, have helped to shape the creative ethos of this city.

Born in Hawkesbury, Andrée Lacelle has published a dozen books and received numerous literary accolades. She was the first to receive the French-language Trillium Book Award for Tant de vie s’égare (Éditions du Vermillon, 1994 [2007]) and she has also been shortlisted for the Governor General Award. Instrumental to the promotion of French-language literature, she has been a long-time contributor of book reviews. She has also reviewed Franco-Ontarian literature on the show “Panorama” (TFO, 2006-2010) and on her radio program “Au cÅ“ur des mots” (2011-2014). Her literary collaborations recently included co-writing and co-editing pas d’ici, pas d’ailleurs, Anthologie poétique de voix féminines contemporaines (Montélimar, Voix d’encre, 2012). Her poems have been translated into English and Czech.

The VERSeFest Hall of Honour recognizes established poets from the greater Ottawa-Gatineau region who have produced a substantial body of work and have made a significant contribution in building the poetry community as a leader and mentor.

VENUE AND TICKETS
Knox Presbyterian Church, 120 Lisgar St. Tickets are $10 per event, $20 for a weekend day pass, or $50 for a festival pass. Available online or at the door. For more information, visit versefest.ca

Friday, March 18, 2016

a new Chris Turnbull poem, and a Turnbull/Amanda Earl collaboration,

Chaudiere Books author Chris Turnbull has two new poems online, including a new visual poem from the sequence "[sic]," posted at h&, and a video poem collaboration with Chaudiere Books author Amanda Earl.

Turnbull's first trade collection, continua, of course, can be ordered directly here, and Earl's first collection, Kiki, can also be ordered directly here.

Thursday, March 17, 2016

Andy Weaver competes in the 2016 Battle of the Bards

Poetry NOW: 8th annual Battle of the Bards

Wednesday, March 30, 2016 - 7:30 PM   

Special Event: IFOA Weekly   
Brigantine Room
235 Queens Quay West
Toronto M5J 2G8
Cost: $10/FREE supporters, students & youth 25 and under
http://ifoa.org/events/poetry-now-8th-annual-battle-of-the-bards

1 stage. 20 poets. 1 winner.

Our popular poetry competition returns in 2016 to feature readings by 20 of Canada’s upcoming and established poets. Judges Geoffrey E. Taylor (IFOA’s Director), Jen Tindall (IFOA’s Artistic Associate) and Andy McGuire (winner of 2015 IFOA Poetry Games) will select one winner, who will receive an automatic invitation to read at the 37th edition of the International Festival of Authors AND an ad for their book in NOW Magazine!

The event will be hosted by NOW’s Susan G. Cole.

Poetry NOW is presented in partnership with NOW Magazine.

2016 Participants

Ashley-Elizabeth Best, Lara Bozabalian, Chris Chambers, Warren Clements, Michael Fraser, Marty Gervais, Susan Glickman, Maureen Hynes, James Lindsay, Shannon Maguire, Kate Marshall Flaherty, Sarah Pinder, Ruth Roach Pierson, Vanessa Shields, Mary Lou Soutar-Hynes, Blair Trewartha, Daniel Scott Tysdal, Katerina Vaughan Fretwell, Andy Weaver and Bänoo Zan.

Wednesday, January 20, 2016

Read This, Then That: Amanda Earl's Kiki and Sarah Bernstein's Now Comes the Lightning

Amanda Earl's Kiki (2014) is recommended as a literary pairing by All Lit Up! See the original post here.









 
Read This, Then That: Ladies of Paris

 January 20, 2016 by Tan Light


Read This: Kiki by Amanda Earl (Chaudiere Books)

Then That: Now Comes the Lightning by Sarah Bernstein (Pedlar Press)

When I say 1930s French Cabaret, you probably think of Edith Piaf. But there were many women who came before Edith. In this edition of Read This, Then That, we’re looking at two poetry collections that provide a glimpse into life in Montmartre and Montparnasse, the nuclei of the major cultural and artistic revivals taking place in France at the time of the Great War.

Each collection takes as its subject a woman who lived in Paris circa the 1920s and 30s, who was central to a particular scene. In Kiki, we learn about the life and times of Alice Ernestine Prin, the Queen of Montparnasse. Kiki performed in cabarets, made art, posed nude, was incarcerated, starred in avant-garde silent films, modeled for her partner, Man Ray, and other artists.

Now Comes the Lightning is set in the streets of Montmartre, and tells the story of Marguerite Boulc'h, who later became known as Fréhel. Despite being one of Europe's most sought after performers, both as a singer and an actress, her destructive addictions led to her dropping out of sight for years at a time.

Both of these collections show how these women navigated a social and economic landscape that was not always friendly to single, independent women. Both had difficult family circumstances to overcome, and later, failed romantic relationships. Yet we also see a glimpse of the ways women worked together to support and safe guard each other in the world of cabarets and jazz clubs. We also get to see early 20th century Paris in detail. Sadly, both Kiki and Fréhel suffered from addiction and alcoholism, which ultimately lead each to their deaths in the early 1950s.

I recommend this pair of poetry collections to Francophiles and independent women from coast-to-coast.

Tuesday, January 12, 2016

fwd: Feb 12-13, 2016: WHERE NEXT?: Creative Writing, Narrative, Film and Contemporary Art‏ (Calgary)

February 12-13, 2016: TICKETS NOW AVAILABLE!

WHERE NEXT?: Creative Writing, Narrative, Film and Contemporary Art

Alberta College of Art + Design


https://acad.ca/where-next-creative-writing-narrative-film-and-contemporary-art

https://derekbeaulieu.wordpress.com/2015/12/24/where-next-creative-writing-narrative-film-and-contemporary-art/

A two day symposium discussing writing and text-art in a trans-media environment. Featuring discussions and performances by nationally and internationally renowned speakers on the role of creative writing, narrative and “story-telling” in visual and digital art & craft, performance, screen-writing and pedagogy.

Tickets are now available for $80 regular / $50 student (including all panels, keynotes and meals):
http://www.brownpapertickets.com/event/2471324
(student discount available by entering the code ACADCreativeWriter)

"Where Next?” features nationally and internationally-recognized artists, Calgarian teachers and practicioners, ACAD staff and students — all focused on creative writing and radical pedagogy. Join us for two days of cutting-edge conversation and performance on the role of creative writing within an arts discourse and how writing overlaps teaching and learning.

Co-ordinated by Calgary’s 2014-2016 Poet Laureate, and ACAD Instructor, Derek Beaulieu.

Keynote Presentations
Jason Edward Lewi
s (Montreal, QC): (Montreal, QC): Concordia University Research Chair in Computational Media and the Indigenous Future Imaginary. Lewis is the director of the Initiative for Indigenous Futures and co-director of the Skins Workshops on Aboriginal Storytelling and Video Game Design, as well as the winner of the inaugural Robert Coover Award for Electronic Literature for The P.o.E.M.M. Cycle.

Francesca Capone (Portland, OR, USA) is a visual artist who works with interdisciplinary practices. She is currently exhibiting at LUMA/Westbau, The Last Brucennial, The Gelman Gallery at the RISD Museum, Publication Studio Hudson and The Granoff Center at Brown University. She is the author of Weaving Language: Writing in Threads.

Liz Worth (Toronto, ON): Worth’s first book was the first in-depth account of the history of Toronto’s punk music scene entitled Treat Me Like Dirt: An Oral History of Punk in Toronto and Beyond, which created a renewed interest in preserving the history of Canadian punk. Her most recent collection is No Work Finished Here: Rewriting Andy Warhol, a poetic response to Andy Warhol’s novel a: a novel. Worth is also the author of Amphetamine Heart and PostApoc.

Performance
Tamara Himmelspach

Panelists
Nick Sousanis
Ashok Mathur
Cheryl Foggo
Larissa Lai
Devyani Saltzman
Sarah Grodecki
Natali Rodrigues
Riley Rossmo
Silas Kaufman
Christian Bok
Joe Hospodarec
Victoria Braun
Natalie Lauchlan
Jen Mizuik
Wendy Hill-Tout
Heather Huston
Alex Link
Naoko Masuda
Andrew Wreggitt

For more information, contact:

derek beaulieu
derek@housepress.ca
www.derekbeaulieu.wordpress.com